Fellows Lectures

Fellows make visible the interdisciplinary community at the University of Illinois at Chicago. While in residence at the Institute, the fellows deliver public lectures on their research.

González, Fredy, Associate Professor, Global Asian Studies * History

Fredy González

When: Thursday, September 23, 2021, 4pm

“Forging the Cantonese Diaspora: A Global History of Chee Kung Tong”

Fredy González is an Associate Professor of Global Asian Studies and History. His research focuses on Asian diasporas in Latin America, particularly on the Chinese diaspora. Before coming to UIC, Professor González was a professor of Latin American history at the University of Colorado Boulder, where he also taught courses on immigration history.

His first book, Paisanos Chinos: Transpacific Politics among Chinese Immigrants in Mexico, was published in 2017 with the University of California Press. His articles have appeared in the Western Historical Quarterly and the PRC History Review and won the Bert M. Fireman and Oscar O. Winther awards from the Western History Association.

His current project is a global history of the Chinese sworn brotherhood, the Hong Men Chee Kung Tong. A fraternal organization with chapters around the world, the Chee Kung Tong helped far-flung members of the Cantonese diaspora acclimate to their places of settlement. Remembered in parts of the West as a criminal organization, in mainland China, it is remembered as the precursor to the China Zhi Gong Party, one of the eight minor parties in the People’s Republic of China. Professor González plans to use the history of the Chee Kung Tong to illustrate how different nodes of the Chinese diaspora interacted with each other; political activity and organization among Chinese overseas; and the complicated relationship between Chinese overseas and China and Taiwan.

His work has been supported by a Fulbright Scholar Fellowship in Taiwan, as well as an IIE Fellowship for Graduate Study and a Fox Fellowship in Mexico.

Díaz Martín, Esther, Assistant Professor Latin American and Latino Studies * Gender and Women’s Studies

Esther Díaz Martín

When: Monday January 31, 2022, 4pm

“Radiophonic Feminisms: Sounding Latina Gender Politics” 

Esther Díaz Martín is an Assistant Professor in the Latin American and Latino Studies and Gender and Women’s Studies programs at UIC. She received her Ph.D. in Iberian and Latin American Languages and Cultures with a graduate portfolio in Mexican American and Latina/o Studies from The University of Texas at Austin with the support of an IUPLR-Mellon dissertation fellowship in 2018. Her research on gender representations and popular feminism in Latinx digital media is published in DiálogoSpanish and Portuguese Review, and Chicana/Latina Studies. She is a contributor in Voices from The Ancestors: Xicanx and Latinx Spiritual Expressions and Healing Practices (ed. Medina and Gonzales, 2019) where she writes about punto de cruz embroidery as a spiritual practice and method for conocimiento for a first-generation Chicana in academia. She joined UIC in 2019 and has taught courses centered on Latinx sound cultures, gender violence, gendered epistemologies, and utopic imaginaries in Latin American and Latinx literature and media. Her current book manuscript titled, “Latina Radiophonic Feminism(s): Sounding Gender Politics into the Digital Age,” studies gender politics in contemporary U.S. Spanish-language radio and the stories of women who have been able to interrupt the sound of patriarchy in commercial stations by sounding feminism across the U.S. Southwest. This project places Chicana feminist theory and methods in conversation with sound studies to inquire what feminism sounds like in commercial radio and independent podcasting.

Weber, Rachel, Professor, Urban Planning and Policy (College of Urban Planning and Public Affairs)

Rachel Weber

When: Thursday, February 17, 2022, 4pm

“The Urban Oracular: Prediction and Speculation in Real Estate” 

Dr. Rachel Weber is Professor and Director of Graduate Studies in the Urban Planning and Policy Department at the University of Illinois at Chicago where she teaches courses and conducts research in the fields of economic development, real estate, urban politics, and public finance.  She is the co-editor of the Oxford Handbook of Urban Planning, a compilation of 40 essays by leading urban scholars. Her latest book, From Boom to Bubble: How Finance Built the New Chicago (University of Chicago Press) won the Best Book Award from the Urban Affairs Association in 2017. She is the author of over 45 peer-reviewed journal articles, as well as numerous book chapters and published reports. In addition to her academic responsibilities, she has served as an advisor to planning agencies, political candidates, and community organizations on issues related to financial incentives, property taxes, and neighborhood change. She was appointed to then-presidential candidate Barack Obama´s Urban Policy Committee in 2008 and by Chicago Mayor Rahm Emanuel to the Tax Increment Financing Reform Task Force in 2011.

Magarik, Raphael, Assistant Professor, English

Raphael Magarik

When: Wednesday, February 23, 2022, 4pm.

“The Invention of the Biblical Narrator” 

Raphael Magarik studies sixteenth and seventeenth century British literature, with interests in secularization and religion, theories of narration and the pre-history of the novel, labor and theatrical collaboration, Christian Hebraism and biblical studies, and early modern women’s writing. His first book project, “Who Narrates the Bible? Reformation Narratology and English Biblical Poetry,” argues that early modern scholars invented the idea of the biblical narrator, which in turn offered English poets models for their own, biblically themed poems and for fictive invention. He has published work from that project in Reformation, and he has articles in Milton StudiesNotes & Queries, and the Journal for Early Modern Cultural Studies, as well as an article forthcoming in PMLA. He has also written popularly, including for The New RepublicThe AtlanticThe Daily BeastJacobin, and Haaretz. He tweets occasionally @raffimagarik.

Dubin, Nina, Associate Professor, Art History (College of Architecture, Design, and the Arts Administration)

Nina Dubin

When: Wednesday, March 9, 2022, 4pm

“Eros and the Economy: Love, Trust, and Risk in French Art, 1720-2008” 

Nina Dubin is Associate Professor of Art History and an affiliated faculty member in the Department of French and Francophone Studies, specializing in French eighteenth-century art. She is the author of Futures & Ruins: Eighteenth-Century Paris and the Art of Hubert Robert (Los Angeles: Getty Research Institute, 2010; 2012) and co-author of Meltdown! Picturing the World’s First Bubble Economy (Turnhout, Belgium: Harvey Miller/Brepols, 2020). Her recent research has been supported by the Samuel H. Kress senior fellowship from the Center for Advanced Study in the Visual Arts at the National Gallery of Art, the Florence Gould Foundation fellowship from the Clark Art Institute, and the Robert Sterling Clark Visiting Professorship at Williams College. Her book in progress, “Erotic Economy: Love, Trust, and Risk in French Art, 1720-2008,” investigates the participation of French art in the consolidation of a trust economy.

Kendall, Matthew, Assistant Professor, Polish, Russian, and Lithuanian Studies

Matthew Kendall

When: Tuesday, March 15, 2022, 4pm

“Sound Works: The Aural Imagination of Soviet Art” 

Matthew Kendall is Assistant Professor of Polish, Russian, and Lithuanian Studies. He was awarded his Ph.D., Slavic Languages and Literatures from the University of California, Berkeley in 2019 and joined the UIC faculty that fall.  His publications include “Stereoscopic Realism: Aleksandr Andrievskii’s Engineers of Illusion” [Стереоскопический реализм: Инженеры иллюзий Александра Андриевского] in Non-standard: Forgotten Experiments in Russian Culture, 1934-64 [НестандАрт: Забытые эксперименты в русской культуре, 1934-64]. Moscow: NLO, 2019.

His recent research explores how techniques of listening influenced Russian writers and filmmakers. He is currently at work on a book-length project, tentatively titled Sound Works, which treats listening as a socially, historically, and culturally mediated act, and offers a history of sound reproduction’s impact on artists in the Soviet Union. Subjects all grappled with how to incorporate into Soviet art the chimerical technology of sound reproduction, which amplified state surveillance, facilitated archival preservation, motivated the production of astounding (and troubling) illusions, and smuggled foreign voices into Russia.

Alongside his research into the history of sound and listening, he has taught and written on topics ranging from the prose and poetry of Russian romanticism to 3D cinema and the politics of cinematic special effects.

Andy Clarno, Associate Professor, Departments of Sociology & Black Studies

Andy Clarno

“Counter/Surveillance: Big Data, Criminalization, and Abolition in Chicago”

Andy Clarno, Departments of Sociology and Black Studies (with Sangeetha Ravichandran)

When: Oct 20, 2020 04:00 PM Central Time (US and Canada)

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In an era of Big Data, police databases transform racialized discourses about crime, terror, and belonging into permanent records with real implications for individuals and communities. This project examines Big Data policing as a site for the production, circulation, and deployment of racialized state knowledge. Yet abolitionist movements in Chicago are refusing criminalized archetypes and demanding an end to data sharing agreements. These movements help us envision a pathway to decriminalization and abolition through the erasure of police databases and the recovery of full humanity for people targeted by police.

Andy Clarno is Associate Professor of Sociology and Black Studies and coordinator of the Policing in Chicago Research Group at the University of Illinois at Chicago. His research examines racism, capitalism, colonialism, and empire in the early 21 st century, with a focus on the relationship between marginalization and securitization. Andy teaches courses on globalization, race and ethnicity, policing, and urban sociology. Andy’s book, Neoliberal Apartheid (University of Chicago Press 2017), analyzes political, economic, and social transformation in South Africa and Palestine/Israel since 1994.

Susila Gurusami, Assistant Professor, Department of Criminology, Law, and Justice

Susila Gurusami

“An Extra/ordinary Rending: Carcerally Conditioning Black Motherhood”

Tuesday, December 1, 2020 at 4 PM

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Prison abolition scholarship often traces the origins of the prison and carceral logics back to racial-chattel slavery, identifying the long historical continuity of anti-Black enslavement logics into present practices of carceral captivity. Among these practices, what is often named as “family separation” in scholarship on incarceration, immigrant detention, and other forms of carceral enclosure remains a rallying cry for reformers, who write and speak of “collateral consequences” and other euphemisms to name the intergenerational pain and punishment that ensues as a result. Such scholarship and activism rightly names that incarceration is a multigenerational, communal form of punishment that ensnares and entangles those beyond the person who is formally sentenced. But what is lost when we seek to understand impacts on the family as secondary, as though such the experiences of children with incarcerated parents are afterthoughts of state violence and not evidence of how the state targets Black families by design? What might we fail to account for, when the terms we use do not capture the affective reality of being torn apart—for both Black mothers and their children—under the legal allowances of state captivity?

Placing the analyses of formerly incarcerated Black mothers in conversation with Saidiya Hartman’s definition of “the slave as a stranger,” I illustrate how the selling of Black children and mothers under racial-chattel slavery have modernized into the celling of Black children and mothers under incarceration. The result—the state legally denying and disrupting kinship bonds between Black mothers and their children by trying to make them strangers to each other—endures in the afterlife of slavery. This beyond family separation, or a collateral consequence of incarceration. This is a rending.

This work of estranging Black mothers from their children is an extra/ordinary form of statemaking and world breaking. It is entirely ordinary, in that it is not new, and it is also a feature of everyday lifea for so many Black mothers and their children. It is, however, extraordinary, that we as a collective society have cultivated such animosity and indifference to Black motherhood that we still accept Black children being ripped away from their mothers as a condition of relative normalcy. Whether through maternal incarceration, the foster care system, children’s incarceration, or police murders of Black people, the extraordinary lengths to which our legal system will to go in order to estrange Black mothers from their children and justify this estrangement as public safety is perpetually on display in our everyday world. In other words, the state commits extraordinary violence against Black families through ordinary governance—and particularly through carceral punishment.

This talk, drawn from my book manuscript focusing on the experiences of formerly incarcerated Black women in Los Angeles, unpacks how these carceral conditions bear on the relationship between Black mothers and their children in the afterlife of slavery. Drawing on the legal concept of extraordinary rendition, defined as “secret or forcible rendition of a suspected criminal to another country, often a country known to violate human rights and due process of law,” I argue that the state aims to condition Black families into white supremacist governance by carcerally attacking Black motherhood. I name this governance strategy extra/ordinary rending, which I characterize as the state’s profound violation of the relationship between Black mothers and their children via carceral logics, practices, and institutions. I contend that extraordinary rending reveals how Black mothering is always a fugitive practice, and one that reveals how Black maternal love as both action and affect are foundational to feminist abolition futurities.

Dr. Susila Gurusami is a sociologist of race, gender, punishment, and labor, with particular interests in carceral governance. She received her PhD in sociology from UCLA in 2017 and is a former University of California Chancellor’s Postdoctoral Fellow. Her work has been published in Gender & Society, Social Problems, and Punishment and Society. Recognition for this scholarship include funding and awards from the American Sociological Association, Sociologists for Women in Society, Society for the Study of Social Problems, and the Racial Democracy, Crime, and Justice Network. She is currently writing a book manuscript titled Making it Home: Race, Gender, and Carceral Migration.

 

Zoom link for Susila Gurusami Lecture:

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When: Dec 1, 2020 04:00 PM Central Time (US and Canada)

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Anna Kornbluh, Associate Professor, Department of English

Anna Kornbluh

“Immediacy: On Style Lately”

Thursday, February 4, 2021 at 4-6 PM Central Time (via Zoom)

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“Speak your truth” is an Oprah maxim for our age, good advice that also condenses a matrix of contemporary values: self-manifestation, proprietary epistemology, and auto-authorization.  Orienting cultural production amid economic privatization and via new media, that matrix encompasses life-style magazines and the broader literary marketplace as well as streaming tv, social networking, college pedagogy, and high theory. This talk names the ubiquitous manifestive style “immediacy” and considers recent works of anti-fictional and anti-theoretical self-writing that significantly alter the long history of the novel and of critical theory, situating these novelties with help from marxist and psychoanalytic frameworks.

Anna Kornbluh’s research and teaching interests center on Victorian literature and Critical Theory, with a special emphasis in formalism, Marxism, psychoanalysis, and theory of the novel. She is the author of The Order of Forms: Realism, Formalism, and Social Space(University of Chicago 2019), Marxist Film Theory and Fight Club (Bloomsbury “Film Theory in Practice” series, 2019), and Realizing Capital: Financial and Psychic Economies in Victorian Form (Fordham UP 2014). Her current research concerns impersonality, objectivity, mediation, and abstraction as residual faculties of the literary in privatized urgent times. She is the founding facilitator of two scholarly cooperatives: V21 Collective and InterCcECT.

Beate Geissler, Associate Professor, Department of Art

Beate Geissler bio picture

“Hopium Economy”

Wednesday, March 10, 2021 at 4 PM

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“Hopium Economy” examines substance dependency and/or addiction not only as a metaphor, but as the very engine constituting our societies’ failure to respond to the demands for changes in our time. Climate change is not simply an unintended byproduct of colonial history, but an ongoing act of imperial violence*. A violence set off by the rabid desire of Western societies for goods, things, objects, and substances. Therefore I consider the history of substance dependencies from iron, coal, tea, opium and sugar to gas, I-Phones, methadone, nitrates and opioids as the core motor of the western expansion trajectory. Addiction here seems to be the existential condition sine qua non of violence and pain – cataclysmic and eruptive as much as slow and covert. I believe that such a conception is offering a valuable opportunity to re-think addiction, both as a paradigm and as an object of knowledge. This project is called Hopium Economy because economic growth is an assumption central to our political and economic systems. It is the mechanism relied upon for improving life on Earth for humans based on the belief that there is an escape from the finitude of resources. Hopium economy is the endless and unstoppable dream of becoming.

*Sarah Nelson, The Slow Violence of Climate Change

Beate Geissler is an interdisciplinary artists researcher and educator interested in the question of how human actions transform the planet and how those transformations alter our existence. Her work concentrates on inner alliances of knowledge and power, their deep links in western culture and the escalation in and transformation of human beings through technology. Her work has been exhibited nationally and internationally in museums, galleries, and alternative spaces, including: the Renaissance Society at the University of Chicago; the Museum of Contemporary Photography, Chicago; the Fotomuseum Antwerp; the NGBK (New Society for Visual Arts) in Berlin; the National Taiwan Museum of Fine Arts; the Fotomuseum Winterthur in Switzerland; the Museum Ludwig in Cologne; MAST Foundation in Bologna, Italy; and German Pavillion at the Photography Biennial Dubai, UAE. She has been the recipient of a number of grants and awards, including: the Videonale Award from the Museum of Art, Bonn, Germany; the Herman-Claasen-Award (Cologne, Germany); production grants from the Graham Foundation, Chicago; and she is an active participant of the project Mississippi. An Anthropocene River (https://anthropocene-curriculum.org). She published four monographs: Return to Veste Rosenberg (2006), Personal Kill (2010), Volatile Smile (2013) and the bio-adapter (Oswald Wiener) / you won’t fool the children of the revolution (2019). She is a founding member of Deep Time Chicago an art/research/activism initiative formed in the wake of the Anthropocene Curriculum program at HKW in Berlin, Germany.

Jeffrey Sklansky, Professor, Department of History

Jeffrey Sklansky

“Strings Attached: Tribal Land Sales in the Nineteenth-Century Midwest”

Thursday, March 18, 2021 at 4 PM

Zoom link: https://uic.zoom.us/meeting/register/tZIsd-CrpjsuGNyqe4ZfHtIm7xRf7oAuUr5C

Nineteenth-century land cessions by Great Lakes tribes marked a new phase in the long conflict over Native property rights. Debates surrounding the treaties between Native nations and the United States determined who could sell tribal land and who could buy it, what rights to the land could be bought and sold and what could count as payment. Creating the two parties to each transaction, defining what each brought to the table, the struggles over the sales gave shape to the newborn nations on both sides of the negotiations along with the forms of property and payment they exchanged.

Jeffrey Sklansky specializes in the intellectual and social history of capitalism in eighteenth- and nineteenth-century America. After graduating from the University of California at Berkeley and receiving his Ph.D. in History from Columbia University, he taught at Oregon State University from 1997 to 2011, when he moved to the University of Illinois at Chicago. He offers courses on the history of capitalism, radicalism in America, and American intellectual history, among other topics. He is the author of two books. The Soul’s Economy: Market Society and Selfhood in American Thought, 1820-1920 (University of North Carolina Press, 2002) traces the fall of classical political economy and the rise of modern sociology, psychology, and allied social sciences in its place. Sovereign of the Market: The Money Question in Early America (University of Chicago Press, 2017) examines the two-hundred-year struggle over what should serve as money, who should control its creation and circulation, and what principles should govern its role in market relations. For potential graduate students, he is currently accepting new students in early American history, intellectual history, labor history, and the history of capitalism.

Yann Robert, Associate Professor, Department of French and Francophone Studies

Yann Robert

“The First Vigilante: Natural Law, Slavery, and the Killer Cobbler”

Tuesday, April 20, 2021 at 4 PM (Zoom link below)

 

Vigilantism is widely regarded as a uniquely American phenomenon, originating in the American Revolution and Frontier. Yet the first story about a modern vigilante appeared decades earlier in France. This 1730 tale of a killer cobbler leads me to propose a new genealogy of vigilantism, linking its birth and raison d’être to natural law theory and slavery.

Yann Robert is an Associate Professor in the Department of French and Francophone Studies at the University of Illinois at Chicago. His book, Dramatic Justice: Trial by Theater in the Age of the French Revolution, was recently published by the University of Pennsylvania Press. In 2018, he was awarded UIC’s Rising Star Award in the Humanities, Arts, Design and Architecture. His research examining the interaction between theater, justice, and politics in Enlightenment and Revolutionary France has received support from the Andrew W. Mellon Foundation, notably through a two-year postdoctoral fellowship at Stanford University and a one-year research fellowship at the Newberry Library, as well as from the Jacob K. Javits and the Mrs. Giles Whiting Foundations.

 

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